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14.05.2008
Maria Eismont

Towns without censorship

Just as Russia's economic growth has obviated talk of democracy, the media's financial successes leave no place for ethical debate. While market imperatives often do the censors' work for them, counter-examples exist, reports Maria Eismont. [ more ]

13.05.2008
Antonio Negri, Judith Revel

The discovery of the communal

09.05.2008
Jonathan Barnes, Myles Fredric Burnyeat, Raymond Geuss, Barry Stroud

Modes of philosophizing

08.05.2008
Rasa Balockaite

Lithuania in Europe, Europe in Lithuania

07.05.2008
Chris Reynolds

May '68: a contested history


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Eurozine Review


29.04.2008
Eurozine Review

The centre is everywhere

"Arche" looks warily at the Belarusian thaw; "Magyar Lettre" gets to the heart of the central European city; "Kulturos barai" criticizes the culture of groceries; "Fronesis" takes counsel on the "unhappy marriage" between feminism and the Left; "A Prior" looks at monuments that won't melt into air; "Revista Crítica" sees the political potential of bio-art; "Critique & Humanism" analyzes neophilia and neophobia; "Dialogi" lashes out at the Slovenian press; and "Glänta" is missing links.

15.04.2008
Eurozine Review

A mother since birth?

01.04.2008
Eurozine Review

Free minds before free speech

11.03.2008
Eurozine Review

Hannah Arendt on '68

19.02.2008
Eurozine Review

An acronym for the homeless


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Authors

Pedro Almodovar

(b.1951 or 1949, he keeps his exact birthdate secret, in Cazalda de Calatrava) moved to Madrid at age 18 and quickly became drawn into the Spanish capital's underground scene.

Here he also started making short movies with a Super 8 camera and so came into contact with some of the key figures who would shape Madrid's "Movida" - a short but intense outburst of optimism and creative frenzy. Finally he managed to scrape together enough funding for his first full-length feature film, Pepi, Luci, Bom y otras chicas del montón, released in 1980, which already bore the unmistakable Almodóvar hallmarks.

Almodóvar's position as the leading figure in Spain's new generation of film-makers was made with the films that followed: Laberinto de Pasiones ("Labyrinth of Passions", '82); Entre Tinieblas ("Dark Habits", '83) and his first big hit, ¿Qué he hecho yo para merecer esto? ("What have I done to deserve this?"), released in 1985. Almodóvar received an Oscar nomination for best non-English language film and international recognition with Women on the Verge of a Nervous Breakdown but he eventually won the Oscar with his acclaimed Todo Sobre Mi Madre ("All About My Mother"), chosen as Best Foreign Film in the March 2000 edition of the Academy Awards. Its success also brought ever more tempting offers from Hollywood. In the end, however, Almodóvar decided to stick to Spain and Europe for his next film.

Almodóvar has two finished scripts, both written by himself, called Habla Con Ella and La Mala Educacion, the latter set in a boys' school runs by priests during the Franco era (a subject the director is familiar with). Habla Con Ella is currently his most recent feature.



Eurozine Articles


Pedro Almodovar

Location

Talk to Her: The Set from the Viewpoint of the Director

Pedro Almodóvar's thoughts on photography and the differences between photos and pictures in motion. [more]

04.09.2002



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