The trade union is at a crossroad. Immigrant workers must be included in the unions. Either one chooses to try classic methods of organization, or entirely new directions which risk a widening of the gap between the white, male worker aristocracy and the poor, exploited migrant worker. [ more ]
"Critique & Humanism" takes a neighbourly view on Turkey; "dérive" doesn't play ball; "Reset" picks up the pieces after Veltroni's defeat; "Multitudes" joins the carnival; "The Hungarian Quarterly" finds the country in a gloomy mood; "Mittelweg 36" asks what's in a friendship; "Revista Crítica" reads epistemologies of the South; "Springerin" sees the provincial in the universal; "Kulturos barai" watches patriarchs fall; and "Cogito" casts a tragic hero for our times.
was born in 1958. In 2004 he published Reine Sprache. Walter Benjamins frühe Sprachphilosophie.
"Good popular music is not advanced mathematics but it teaches us the basic multiplication table of emotions." Jens Hagestedt marks the distinction between serious and popular music while revealing the errors in the reasoning of popular music sceptics. [more]
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